1. What might the author have intended by calling this novel The Sleeping Father? Does the title have any significance beyond its being a reference to the coma that befalls Bernard Schwartz?

2. One reviewer has described The Sleeping Father as an "inquiry into the weight of words" (Ed Park, Village Voice, March 3-9, 2004). What are some of the places in the book where language is not just the medium but the subject matter? What is the thematic relevance of language in this novel?

3. Bernard Schwartz's son, Chris, at one point thinks, "[W]hether you embrace irony or not, sooner or later irony embraces you." (p. 122) What is the role of irony in the book? Is there a connection between verbal irony--in which someone says one thing and means another--and dramatic irony--in which someone expects and hopes for the opposite of what they end up getting?

4. Sharpe describes a neurologist describing Bernard Schwartz's coma: "In the room where Bernie lay inert, Lisa Danmeyer created a second Bernie made of test results and drug names and parts of the brain and biochemical causality and possible outcomes... Lisa Danmeyer's Bernie was the opposite of Jesus: flesh made words." (p. 48) The novel takes up various and sometimes contradictory ways of describing and thinking about the self: the medical, the religious, the poetic, the psychological; where and how else in the novel do you see this theme being investigated?

5. What issues of race and class come up in this novel, and how are they addressed?

6. There are a few incidents in the novel that could be construed as supernatural. And Cathy Schwartz, a Jewish girl, immerses herself in Catholicism. What do you make of the way this novel portrays the divine, and the quest for faith?