Critical Praise

“Insightful... will resonate with fans of women’s fiction.”

—Publishers Weekly

“Kamali laces food center stage with vivid descriptions, from the perfect New York pizza slice to traditional savory Iranian dishes, immersing readers in the culinary delights of Iranian cuisine especially --- readers will virtually taste the food on the page.”

—Booklist

“An evocative read and a powerful portrait of friendship, feminism, and political activism.” 

—People

“A touching portrait of courage and friendship.”

—Kirkus

“Gorgeous, gripping…insightful, compassionate, and grounded in historical detail, THE LION WOMEN OF TEHRAN is an evocation of a country upended and a tribute to the ways deep friendships shape our lives.”

—Shelf Awareness

“Elegant... A tender, beautifully written examination of two women --- and their choices --- over more than 30 years.”

—Oprah Daily

“Riveting... Reminiscent of THE KITE RUNNER and MY BRILLIANT FRIEND, THE LION WOMEN OF TEHRAN is a mesmerizing tale featuring endearing characters who will linger in readers’ hearts.”

—BookPage

“More than a tale of friendship or a coming-of-age story, it’s a beautifully crafted and subtle exploration of love, family, friendship, ambition, betrayal and redemption in a socio-political powder keg.... This finely written novel emphasizes the human experience in the face of turmoil.”

—Bookreporter

“In THE LION WOMEN OF TEHRAN, Marjan Kamali brings to life the beauty and tragedy of Iran in the 1960s. From the delicious scent of spices simmering, to the colors of the bazaar, to the snowflakes landing on a certain character’s hair, this story came brilliantly alive to me from the very first page. Courage, friendship, loyalty, hardship, love --- this novel has everything.”

—Mary Beth Keane, New York Times bestselling author of ASK AGAIN, YES

“A moving tale of friendship, betrayal, and forgiveness, unfolding into a deep and powerful exploration of feminist protest in Iran. The contrast between Ellie and Homa’s voices is a narrative all of its own, and Homa deserves a place as one of the true heroines of literature.”

—Erica Bauermeister, New York Times bestselling author of NO TWO PERSONS