1. Did you have a quinceañera, a sweet sixteen, or a bat mitzvah? What did it mean to you? To your loved ones?

2. Traditional quinceañeras have deep ties to Catholicism. How is religion treated in this novel? In your opinion, is it a good thing that traditionally religious celebrations (like the quinceañera) are becoming increasingly secular? Why?

3. Do you believe quinceañeras as a cultural tradition will continue or be lost over time?

4. Beatriz and her husband, Larry, could be said to have a “mixed marriage,” since she is Mexican American and he is Irish American. What do you see as their common bonds? Their differences? What roles do culture, race, and class play in their relationship?

5. As working mothers, Beatriz, Josie Mendoza, and Lucy Milligan are starkly different. In what ways do you identify with each of these women?

6. In the beginning of the book, Beatriz has a number of startling “incidents” but is reluctant to talk about them, even to her best friend, Ana. To what do you attribute her experiences? Do you believe it was her conscience, a dream, or the ghost of her sister, Perla, that was truly “haunting” her?

7. In the beginning, Beatriz has a hard time relating to her niece, and Celeste feels out of place in her aunt’s world. Besides the sudden newness of their situation, what else do you think contributed to their diffi culty in connecting?

8. Beatriz is adamant about taking her niece, Celeste, in, even as it threatens her marriage. Did Beatriz put her marriage in too much danger? Does family come before everything in your life? Why or why not?

9. Besides celebrating her fi fteenth birthday, what do you believe was the meaning behind Celeste’s quinceañera?

10. Celeste and her cousin Raúl hit if off almost immediately, while her other cousin Seamus is severely threatened by her appearance. What do you imagine Celeste’s relationship will be like with Seamus and her other cousins in the future? Between Celeste and Beatriz? Between Celeste and Larry?