Every year, Ceyala "Lala" Reyes' family--aunts, uncles, mothers, fathers, and Lala's six older brothers--packs up three cars and, in a wild ride, drive from Chicago to the Little Grandfather and Awful Grandmother's house in Mexico City for the summer. Struggling to find a voice above the boom of her brothers and to understand her place on this side of the border and that, Lala is a shrewd observer of family life. But when she starts telling the Awful Grandmother's life story, seeking clues to how she got to be so awful, grandmother accuses Lala of exaggerating. Soon, a multigenerational family narrative turns into a whirlwind exploration of storytelling, lies, and life. Like the cherished rebozo, or shawl, that has been passed down through generations of Reyes women, Caramelo is alive with the vibrations of history, family, and love.
At the beginning of Blue Shoe, Mattie Ryder thinks that life cannot get any more complicated. She is newly divorced and living with her two children in her childhood home, which is infested with rats and too many unanswered questions from her past. While the rat problem can be cured with an exterminator, coming to terms with her past will require Mattie to unravel her family secrets and learn some painful truths, especially about her father.
Meet Sugar, a nineteen-year-old prostitute in nineteenth-century London who yearns for escape to a better life. From the brothel of the terrifying Mrs. Castaway, she begins her ascent through society, meeting a host of lovable, maddening, unforgettable characters on the way. Her rise is overseen by assorted preening socialites, drunken journalists, untrustworthy servants, vile guttersnipes, and whores of all stripes and persuasions.
