1. Laura muses that “she could only be her ultimate self when she was alone.” She isn’t the only one who has a clear “real” self and a constructed self. In what ways do the characters create new personas? Are these personalities convincing? Are they necessary?

2. Does Laura have the talent to be a writer? Are there rules that writers must follow, as she believes? Is Jenna correct when she suggests that it’s impossible to write without a historical knowledge of what has come before you?

3. How does the first interaction between Charlie and Jenna at the side of the road set the tone for their relationship? What changes and what remains the same once Laura is involved?

4. It is made clear during her interview with Jenna and again at the writers’ conference that Laura is not terribly knowledgeable about books and writing. Was she also naïve to involve her husband with another woman? What other characters display inexperience or ignorance?

5. Charlie and Laura are similar to Jenna and Frank in that both couples’ passion for one another has cooled after years of marriage. In what other ways are the couples similar? How are they different?

6. How has e-mail affected correspondence? How has it affected writing in general? What opinions would Charlie, Laura, and Jenna each have on the topic?

7. When Charlie thinks back to his childhood and his life with Laura, he recognizes that Prairie Wind Farm “had never been his goal, in part because he’d never had any particular goals.” If not his job, what else drives Charlie? What other examples are there of the gap between desire and reality?

8. Is a “conscious romance” possible? What kind of relationship would that be like?

9. Is it possible that Laura did, in fact, mean to paste Jenna’s e-mail, whether Laura realizes it consciously or not? Why would she have done it intentionally? Why is her reaction to the e-mail being sent out so different from Charlie’s and Jenna’s reactions?

10. Laura Rider starts a list of what women want. What would be on your list?

11. Who, in the end, has the upper hand in the Jenna Faroli Radio Show interview with Laura Rider? Or do neither or both have the upper hand?

12. Is any character responsible for Jenna and Charlie’s affair? Who or what would be the cause according to Laura? Jenna? Charlie?

13. What is the attraction, either romantic or not, between Charlie, Laura, and Jenna? What does each of them provide to each of the others?

14. In this satire, are all the characters skewered equally?

15. What does Hamilton seem to be saying about the writing life? Are writers necessarily ruthless?